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papisenior
Panis Angelicus - Soprano
papisenior
2:54 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 29 5 6 98%
Bass 25 31 8 4 99%
S. Treble 8 0 1 8 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 29 5 6 98%
Bass 25 31 8 4 99%
S. Treble 8 0 1 8 80%
 
IV- Missa Brevis -J. Haydn Benedictus (sans accompagnement)
papisenior
0:01 Est. Play
Time
162 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
solo		 Treble 18 0 7 7 71%
Bas Bass 10 0 2 4 29%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
solo		 Treble 18 0 7 7 71%
Bas Bass 10 0 2 4 29%
Alto Treble 10 0 1 3 22%
Tenor Treble 8 0 0 3 22%
Soprani Treble 7 0 0 3 20%
 
Music for the funeral of the Queen Mary- Tutti
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Alto dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
III- Missa Brevis -J. Haydn (et piano) Sanctus
papisenior
0:37 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 16 5 6 95%
Bass 16 1 5 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 16 5 6 95%
Bass 16 1 5 6 100%
Basse Bass 15 0 5 6 97%
Tenor Treble 10 0 2 5 97%
Alto Treble 12 0 2 5 90%
Soprano Treble 10 0 2 5 87%
 
Music for the funeral of the Queen Mary - Basse dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Soprano dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Quien Fuera Como El jazmin - Etude chorale - Tutti
papisenior
2:48 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Ténor Treble 17 8 6 6 77%
Soprano Treble 16 0 7 5 57%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Ténor Treble 17 8 6 6 77%
Soprano Treble 16 0 7 5 57%
Basse 19 3 4 6 55%
Alto Treble 11 0 3 5 52%
 
Music for the funeral of the Queen Mary - Ténor dominante
papisenior
5:34 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Quién Fuera Como El Jazmín - Basse
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Alto
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Ténor
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Soprano
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%